About the New Criterion
On the front lines of the battle for culture.
The New Criterion, edited by Roger Kimball was founded in 1982 by art critic Hilton Kramer and the pianist and music critic Samuel Lipman. A monthly review of the arts and intellectual life, The New Criterion began as an experiment in critical audacity—a publication devoted to engaging, in Matthew Arnold’s famous phrase, with “the best that has been thought and said.” This also meant engaging with those forces dedicated to traducing genuine cultural and intellectual achievement, whether through obfuscation, politicization, or a commitment to nihilistic absurdity. We are proud that The New Criterion has been in the forefront both of championing what is best and most humanely vital in our cultural inheritance and in exposing what is mendacious, corrosive, and spurious. Published monthly from September through June, The New Criterion brings together a wide range of young and established critics whose common aim is to bring you the most incisive criticism being written today.
“As a critical periodical, The New Criterion is probably more consistently worth reading than any other magazine in English.”
the Times Literary Supplement
Editor & Publisher
Roger Kimball is Editor and Publisher of The New Criterion and President and Publisher of Encounter Books. He is an art critic for National Review and writes a regular column for PJ Media at Roger’s Rules. Mr. Kimball lectures widely and has appeared on national radio and television programs as well as the BBC. He is represented by Writers’ Representatives, who can provide details about booking him.
James Panero is Executive Editor of The New Criterion. He writes on art and culture monthly for The New Criterion and serves as the magazine’s gallery critic. ARTINFO has called him a “preeminent voice of American cultural conservatism.”
Rebecca Hecht is Managing Editor of The New Criterion. She received a B.A. in History from Dartmouth College, where she was the Managing Editor of The Dartmouth Review. Before joining The New Criterion in 2014, she worked on history books at Oxford University Press.
Eric C. Simpson
Eric C. Simpson is Associate Editor of The New Criterion. A violinist since age four, Mr. Simpson is active in New York and beyond as a music critic, contributing regularly to The New York Classical Review. His writing has also appeared in The Wall Street Journal and the Hopkins Review.
Benjamin Riley is Associate Editor of The New Criterion. He received his MA from The Courtauld Institute of Art and was the Hilton Kramer Fellow in Criticism at The New Criterion. He graduated from Dartmouth College, where he served as President and Publisher of The Dartmouth Review. His undergraduate and graduate theses both examined the work of the Scottish architect Robert Adam (1728–1792).
Hilton Kramer Fellow
Andrew Shea is the Hilton Kramer Fellow in Criticism at The New Criterion. He graduated from Dartmouth College in 2017 with a B.A. in English and Studio Art and completed an honors thesis in painting. In addition to his work at The New Criterion, Andrew continues to paint and play jazz upright bass.
David Yezzi’s latest collection of poems is Birds of the Air (Carnegie Mellon). A former director of the Unterberg Poetry Center at the 92nd Street Y in New York City, Mr. Yezzi has contributed poems and criticism to The New York Times Book Review, The Times Literary Supplement, The Wall Street Journal, The Paris Review, The New Republic, Poetry, The Yale Review, Poetry Daily, and elsewhere. A former Stegner Fellow in poetry at Stanford University, he is the author of Azores (Swallow Press), The Hidden Model (TriQuarterly), and the chapbook Sad Is Eros from Aralia Press.
Founding Editor & Publisher
Hilton Kramer (1928–2012) was the founding editor of The New Criterion, which he started with the late Samuel Lipman in 1982. From 1987 until 2006, he was also the art critic for the weekly New York Observer, and for many years wrote the “Critic’s Notebook” column in Art & Antiques magazine. His “Media Watch” column was published weekly in The New York Post from 1993 to November 1997.
Samuel Lipman (1934–1994) was the founding publisher of The New Criterion, which he started with the late Hilton Kramer in 1982. A distinguished concert pianist, Lipman wrote music criticism for Commentary and served on the National Council on the Arts.
Assistant to the Editors
“America’s leading review of the arts and intellectual life.”
–The Daily Telegraph of London
“A review of the arts and intellectual life, the iconic monthly is as smart as it is bold. Each issue is chock-full of wise observations about culture and politics, pinpoint attacks on political correctness and long-form examinations of things that matter.”
–Michael Goodwin, New York Post
“More consistently worth reading than any other magazine in English.”
–The Times Literary Supplement
“Indeed, nearly all the magazine’s reviewing—of books, art, and music—is first-rate. The poetry featured is comparably exceptional with a strong preference for formal verse (which is just fine by me).”
“A refuge for a civilizing element in short supply in contemporary America: honest criticism.”
–The Wall Street Journal
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The New Criterion is published by The Foundation for Cultural Review, 900 Broadway, New York, NY 10003, a nonprofit public foundation as described in Section 501 (c) (3) of the Internal Revenue Code, which solicits and accepts contributions from a wide range of sources, including public and private foundations, corporations, and the general public. Contributions to The New Criterion are tax deductible according to the provisions of the Internal Revenue Code. All gifts in excess of $75 will be acknowledged with a written disclosure statement describing the “quid pro quo” deductibility under section 6115 of the Internal Revenue Code.
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